Jiamu Wu attempts to tame photography's violent way of representation, and utilizes photography's temporal dimension to reshape its obstinate aesthetic, whereupon to discuss the relationship between the human struggle and time, and possibilities for a transcendental overcome.
吳嘉木嘗試馴服攝影的暴力面向,沿攝影的時間性緯度為其僵化的視覺表現重新賦形,以探討人類困境與時間的關係,和超脫並克服之的可能性。